Showing posts with label senegal. Show all posts
Showing posts with label senegal. Show all posts

Friday, February 01, 2008

islam and sufism in west africa

From Saifuddin: Islam and Sufism in West Africa

Saifuddin and a fellow Fulani from Senegal.

The world of Islam in West Africa has such a rich and interconnected relationship with the people and their culture that it is hard to imagine that there was ever a time Islam was not present. In fact it is hard to imagine Islam without also thinking of the distinctive characteristics of West African Islam. One of the reasons that Islam is so close to the hearts of West African people is because of Sufism. Sufism is a branch of Islamic Knowledge which concentrates on direct experience and the spiritual development of a Muslim. It is this area of knowledge that provides the social framework for Muslim communities in West Africa. This social framework can be seen in the Muslim communities from Senegal to Nigeria. According to Khadim Mbacke, author of Sufism and Religious Brotherhoods in Senegal, Sufi brotherhoods first appeared in West Africa during the 15th Century (although there are much earlier accounts). He explains that there was a natural and necessary acceptance of the Islamic Science called Sufism, which was essential to maintaining a straight path of religious purity.

Mbacke also says that Sufi associations provided a support system for Muslims to seek guidance and religious teaching. The two components which make up this essential support for the straight path are the shaykhs (”masters”) and the murids (”disciples”). The role of the shaykh is like that of a teacher however playing a much more extensive role in the a disciples life. Shaykhs advise the murids on all matters of life and have very specific obligations that they are to uphold to lead their murids in religious and private affairs. The murid likewise has responsibilities to his shaykh which includes a code of conduct. That code of conduct is typically patterned after those Believers who were closest to the Holy Prophet Muhammad (alayhi salatu wa sallim), in the way of the traditions that have been passed down from that time.

The largest groups of Sufi associations in West Africa are the Qadiri, the Tijani, the Mouride and Sammaniyya a branch of the Halveti Order. These orders were traditionally the leading resistance to social corruption, colonial rule and tyranny, such as the case with the Sanusi Sufi Order founded by Muhammad ibn Ali al-Sanusi and the Sammaniya, who led a revolt against Egyptian and British colonial rule in the Sudan.

Historically Sufism in West Africa has also played a significant role in the lives of women and women’s education. For example Nana Asma’u, a Fulani woman and daughter of well known Qadiri Shaykh, Uthman dan Fodio (who was also an initiate into the Naqshbandi Order), was an Islamic scholar of her own right. Asma’u was familiar with al-Ghazali’s treatise on the Duties of Brotherhood, a classic work of the highest degree. This treatise advises the devout Muslim on eight specific obligations toward his or her community members: material assistance, personal aid, holding one’s tongue, speaking out, forgiveness, prayer, loyalty and sincerity and affording relief from discomfort and inconvenience. And there were examples of the Sunnah of Muhammad (alayhi salatu wa sallim) to support these elements of society. Asma’u and her students promoted these principles in their own community speaking on the roles of women in society. By teaching women, Asma’u was by extension training whole families in orthodox Sufi practices that focused on following the Qur’an and Sunnah.

Lately, I have noticed a growing buzz of disappointment in the present status of Islam in African-American communities. African-American Muslims like Tariq Nelson and Marc Manley have expressed their disappointment on a number of important issues. And others are channeling their energies into developing a specific and unique American-Muslim identity. I would like to contrast all of these efforts by suggesting that establishing an authentic chain of transmission for Islamic knowledge and guidance is traditionally the means of success in religious reformation. Therefore, there needs to be an acceptance of authority. And a final question needs to be answered,

“From where are we getting our Islam?”

In conclusion, it should be noted that the element of Islamic knowledge which once allowed the West African communities to thrive is now nearly devoid from the Islam of their American-born descendants here in the United States. Perhaps this is partly because African-Americans are not taking their Islam from their own historical traditions but instead, the development of Islam in African-American communities is a milieu of pseudo-Islamic organizations, such as the Nation of Islam; the Moorish Science Temple of America; the Five Percent Nation, as well as course-work on Islam and the Middle East through American Universities and imported religious education through Saudi funding. Now that African-American Muslim community leaders are gathering (see MANA Conference) perhaps someone will raise this issue of authority and tradition and maybe find an answer in the near future, inshaAllah.

Monday, January 28, 2008

a saint in the city: sufi arts of urban senegal

Better late than never: A Saint in the City: Sufi arts of urban Senegal is a rather rich and informative article about a book about an art exhibit of works inspired by the influential Senegalese Muslim holy man, Amadou Bamba.

"A Saint in the City" presents the visual culture of a dynamic religious movement known as the Mouride Way that is inspired by a Senegalese Sufi pacifist, poet, and saint named Amadou Bamba (1853-1927). Mourides are galvanizing contemporary Senegal and its ever-expanding diaspora through their hard work and steadfast devotion. The exhibition presents a striking range of Mouride arts, from large popular murals, intricate glass paintings, and calligraphic healing devices to posters for social activism, colorful textiles, and paintings by internationally known contemporary artists. A devotional sanctum filled with sacred imagery and an urban market scene capturing the bustle of contemporary Dakar are re-created to suggest how Mourides live and work under the beneficent eye of the Saint (Fig. 1). Artist profiles and videos feature the voices and works of nine artists who have shaped our understanding of this deeply spiritual movement. Signal works from Islamic cultures elsewhere in Africa reveal a similarity to Mouride arts while underscoring particularities of Mouride creativity.

[...]

Mouridism is one of the most distinctive aspects of contemporary Senegalese social life. Indeed, it would be impossible to understand how the republic's "brisk and vigorous democracy" (NPR 1998) makes it "a beacon of hope ... in a troubled region" (Wallis & Caswell 2000) without fully appreciating this, the republic's most economically and politically influential Islamic movement. Mouridism links all secular and sacred activities. Senegal also has "a long tradition of amicable and tolerant co-existence between the Muslim majority and the Christian ... and other religious minorities" (CIR 2000; see also Ndiaye 2002:606); and political scientist Leonardo Villalon (1995) holds that the country's striking stability can be attributed to the unusual balance of power between the Senegalese government and the Mourides and other religious orders (also see Biaya 1998). In the year 2000, Senegal peacefully elected the long-time opposition candidate Abdoulaye Wade their president. Mr. Wade is a devoted Mouride, and since his election he has played a prominent role in negotiations for African peace and economic recovery (Onishi 2002).

[...]

"Islam in Africa is nearly as old as the faith itself" Rene Bravmann reminds us (2000:489), and a mere century after the Prophet Muhammed's death in 632 C.E., Islam was being practiced in trading towns of the Sahel. Islam reached what is now Senegal by the tenth century (Hiskett 1994:107) and soon became important to local politics (Levtzion 2000:78). In the eighteenth century, Sufism brought its international influences, spiritual technologies, and paths to divinity to Senegal. The growth of Islam in Africa has been phenomenal ever since, and now, at the turn of the twenty-first century, one of every eight Muslims hails from sub-Saharan Africa, while one of every three sub-Saharan Africans is Muslim (Kane & Triaud 1998:7, 12).

Ocean trade has connected Senegal to other parts of the world for many centuries. Lying at the westernmost point of the African continent, Senegal is the first sub-Saharan country encountered as one sails southward "around the bend" from Europe. It has long been a threshold between the Americas and Africa as well, and the fortifications and infamous "Slave House" of Goree Island lying just off the coast of Dakar provide poignant reminders of the transatlantic slave trade. Senegalese Muslims were among the first slaves brought to the Americas. "Literate, urban, and in some cases well traveled," they "realized incomparable feats in the countries of their enslavement" (S. Diouf 1998:1). (12) To underscore the point, Manning Marable writes that "faith and spirituality have always been powerful forces in the histories of people of African descent. Central to that history is Islam" (quoted in S. Diouf 1998, back cover).

If the above intrigues you, check out the entire article which goes into more detail about the concept of baraka, the role of Sufism in Senegal, the branch of Mouridism known as Baye Fall, and other subjects.

Shaykh Amadou Bamba
catching up