whatever happened to the league of the black stone?

I've been curious about the League of the Black Stone for a while now (since before I started to blog) so it is good to finally get an update. But I'm a bit skeptical about how their agenda can survive unless it has an organization to push it forward.

see:
laughing lions
the forbidden dialogues

philly black mafia

hat-tip to Tariq Nelson's entry Philly Black Mafia Documentary Recall that we previously mentioned the Black Mafia in anniversary of the 1977 dc "hanafi" muslim siege

Part One

Part Two

Part Three

Part Four

Part Five

"we will not bury this muslim"

The leadership of the Germantown Masjid has refused to conduct funeral services for Howard Cain, the bank robber who killed Sgt. Stephen Liczbinski with a Chinese-made semi-automatic rifle.

"No, we will not bury him at Germantown Masjid," said Tariq El Shabazz, managing director of the mosque. "We don't want one slight scintilla hinting that we condone his behavior."

On Sunday evening, a friend of Cain's family asked if Cain's burial could take place at the mosque on Germantown Avenue near Logan Street, El Shabazz said.

El Shabazz declined to conduct the service after researching Islamic law and meeting with Saadiq Abdul Jabbar, chief executive of the mosque; Imam Talib Abdullah, and others.

To be honest, my gut instinct is to disagree with the Masjid's decision, at least as far as conducting the service. A Muslim is a Muslim is a Muslim. And a Muslim has a right ot be prayed over. If the masjid wants to make a statement about Cain's behavior I think they should find other ways to do it.

For more information or other perspectives check out:
Philly.com: Mosques: We will not bury this Muslim
Tariq Nelson: Philly Masjids: “We will not bury this Muslim”
Sunni Sister: A Crying Shame

still a ways to go: race and the american muslim community

From Tales of a Modern Muslimah here are two posts which touch on some of the recurring racial issues in the American Muslim "community": Whiteness among Muslims and Interracial marriage...still a threat?

islam 201

From The Manrilla Blog:

A quick scan of the Muslim blogosphere, particularly the Blackamerican blogs, renders a mixture of angst, indignation, soul searching and a mixed bag of other emotions. To put it simply, [Black]American Muslims are having an existential crisis. From lack of authority to lack of learning, Modernity circles the camp, constantly threatening, constantly throwing confusion into the mix. This blog has tried to be a voice of reason, a voice of the alternative amidst this crisis. But after even a periphery scan amongst fellow bloggers it would seem we’ve gathered enough data to come to the conclusion that what has been put forth is not bearing fruit for Muslims today. So the question that begs an answer is what are we, as [Black]American Muslims going to do about this deficit? I for one say it’s time for a little less pixelation and a bit more connectivity of the face-to-face variety. In other words, as Hall & Oates put it, “One on one, I want to play that game to night…” (For the entire article "Islam 201 - The Future of this blog, the future of this Muslim" at The Manrilla blog)

the philosophy of ahmed abdul-malik

From The Manrilla Blog:

The following is an article about the Sudanese bassist and composer, Ahmed Abdul-Malik, that was originally published in Down Beat Magazine, July 4th, 1963. The article was written by Bill Coss. Beyond an excellent insight into the workings of a master musician, Abdul-Malik ties the thread between knowing the Creator and knowing one’s world. Given Modernity’s fractured vision on the relation of things, Abdul-Malik’s words are erudite and moving. He was also a stellar musician of world-class calibre. Hat tip to Doug Benson for the resource. May Allah have mercy on his soul.

In some degree, all music is about something. But what it is about, its contents, differs widely and generally determines its essential worth.

For composer Ahmed Abdul-Malik the content encompasses all the sciences. particularly the sociological, ethnic, and theological. The easiest thing to say would be that Abdul-Malik is different from most jazz musicians, and both his brief biography and the development of his thought immediately show that difference, while at the same time serving as a primer for youngsters who might aspire to be what Abdul-Malik considers the complete musician.

All his conscious development has come from religious convictions. “People think I am too far out with religion,’ he said. “But it is so necessary to know the Creator, to know the rules of being - what it means - to know the commandments, to know you are commanded to use your intellect and will… That allows you to advance in all subjects. How else can you know about life? And music is life. (read whole article at The Manrilla blog)