From The Manrilla Blog:
The following is an article about the Sudanese bassist and composer, Ahmed Abdul-Malik, that was originally published in Down Beat Magazine, July 4th, 1963. The article was written by Bill Coss. Beyond an excellent insight into the workings of a master musician, Abdul-Malik ties the thread between knowing the Creator and knowing one’s world. Given Modernity’s fractured vision on the relation of things, Abdul-Malik’s words are erudite and moving. He was also a stellar musician of world-class calibre. Hat tip to Doug Benson for the resource. May Allah have mercy on his soul.
In some degree, all music is about something. But what it is about, its contents, differs widely and generally determines its essential worth.
For composer Ahmed Abdul-Malik the content encompasses all the sciences. particularly the sociological, ethnic, and theological. The easiest thing to say would be that Abdul-Malik is different from most jazz musicians, and both his brief biography and the development of his thought immediately show that difference, while at the same time serving as a primer for youngsters who might aspire to be what Abdul-Malik considers the complete musician.
All his conscious development has come from religious convictions. “People think I am too far out with religion,’ he said. “But it is so necessary to know the Creator, to know the rules of being - what it means - to know the commandments, to know you are commanded to use your intellect and will… That allows you to advance in all subjects. How else can you know about life? And music is life. (read whole article at The Manrilla blog)
The following is an article about the Sudanese bassist and composer, Ahmed Abdul-Malik, that was originally published in Down Beat Magazine, July 4th, 1963. The article was written by Bill Coss. Beyond an excellent insight into the workings of a master musician, Abdul-Malik ties the thread between knowing the Creator and knowing one’s world. Given Modernity’s fractured vision on the relation of things, Abdul-Malik’s words are erudite and moving. He was also a stellar musician of world-class calibre. Hat tip to Doug Benson for the resource. May Allah have mercy on his soul.
In some degree, all music is about something. But what it is about, its contents, differs widely and generally determines its essential worth.
For composer Ahmed Abdul-Malik the content encompasses all the sciences. particularly the sociological, ethnic, and theological. The easiest thing to say would be that Abdul-Malik is different from most jazz musicians, and both his brief biography and the development of his thought immediately show that difference, while at the same time serving as a primer for youngsters who might aspire to be what Abdul-Malik considers the complete musician.
All his conscious development has come from religious convictions. “People think I am too far out with religion,’ he said. “But it is so necessary to know the Creator, to know the rules of being - what it means - to know the commandments, to know you are commanded to use your intellect and will… That allows you to advance in all subjects. How else can you know about life? And music is life. (read whole article at The Manrilla blog)
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